Hypnotic and deeply emotional: DJing fused with live instrumentation, moving between deep and introspective to groovy and electrifying.
It started with thirteen years of classical harp as a kid and teenager, semi-professional level, hours of practice a day. The harp went quiet during the startup years, then came back on top of the music I'd fallen in love with on dance floors: melodic and tribal techno. Today the sets blend DJing with live electric harp, drums, MIDI piano, and elements of spoken word.
Fifty countries of travel feed the selection: tribal, deep, and electric sounds folded into sets that move between deep and introspective to groovy and electrifying. People have called it introspective music: it gives the listener space to experience the senses within. That's the point. Playing in crowds is where connection happens, and trance, surprise, and transformation only happen there.
These days: resident DJ at Purple Fridays in Madeira, warmups for Worakls at NADA and Niels Hoffmann at Musicbox Lisbon, and sets from an abandoned lighthouse in the Azores to Burning Man.
Clubs, festivals, conferences, and afterparties. The harp travels well, and the press kit has the tech rider ready.